Monday closed
Tuesday to Sunday 11 am – 7 pm
EARLY TICKET OFFICE CLOSURES
Saturday and Sunday last entry at 5:30 pm
for young people aged between 18 and 25 (not yet turned 25);
for groups of 15 people or more; registered journalists with a valid ID card; La Galleria Nazionale, Museo Ebraico di Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, Feltrinelli, IN/ARCH – Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard
valid for one year from the date of purchase
minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; ICOM members; AMACI members; journalists (who can prove their business activity); myMAXXI membership cardholders; European Union students and university researchers in Art and Architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge – valid for two: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
14 Sep 2024 ore 15:00
MAXXIperTUTTITana per tuttiItalian Sign Language (LIS) workshop
15 Sep 2024 ore 12:00
guided toursGiovanni AnselmoOltre l'orizzonte
17 Sep 2024 ore 16:00
MAXXIperTUTTIAmbienti 1956-2010Tactile visit for the visually impaired
20 Sep 2024 ore 18:00
talkSpàzio-AmbiènteExperience and the vocabulary of space, 1966-1976
21 Sep 2024 ore 15:00
MAXXIperTUTTITana per tuttiItalian Sign Language (LIS) workshop
22 Sep 2024 ore 16:30
MAXXI with the FamilyEnvironments to explore!
Who are the leading figures in the contemporary dance of the last 50 years? What influences and contaminations have there been with the world of contemporary art and architecture? What were the ideas that revolutionised the performance of dance?
Vito Di Bernardi, Patrizia Veroli, Francesca Pedroni, Maria Pia D’Orazi, Ada D’Adamo, Susanne Franco, Virgilio Sieni in conversation with the curator of the project Anna Lea Antolini, meet the MAXXI public to discuss in seven encounters the history of contemporary dance and to discover together the relationship between dance, architecture and art through video contributions from Cro.me. – Cronaca e Memoria dello Spettacolo of Milan and from the Historical Archive of the Romaeuropa Foundation.
The But? Generation: Kazuo On?. The Invisible Worn by the Universe | with Maria Pia D’Orazi
Saturday 9 February, h 11.00
MAXXI Auditorium – admittance free while places availabl
Born during the 1960s in a marginal territory suspended between dance and theatre, Japanese but? has expanded the concept of dance and offered the world of theatre an admirable example of an organic actor, capable of modulating his presence through a complete fusion between art and life. In an era of protest and profound cultural changes but? became a sort of exhortation to the common man to improve the quality of his existence. Kazuo ?no (1906-2010) remains both a symbol and legend of this way of life. His story focuses on the vision of a body that refuses to be a “tool” of communication, preferring instead to simply present itself for what it is. An expressive revolution and a powerful defence of the particularity of the individual in a society of consumers and global culture.
Kazuo On?
Upcoming seminars:
11.00 – 13.00
9 March 2013 | Ada D’Adamo
13 April 2013 | Susanne Franco
11 May 2013 | Virgilio Sieni
The Histories of Contemporary Dance is a Carolina Italiano project, curated by Anna Lea Antolini and organized by Giulia Pedrace.
In collaboration with Fondazione Romaeropa and Cro.me.