Monday closed
Tuesday to Sunday 11 am – 7 pm
Monday 8 December 11 am > 7 pm
Wednesday 24 December 11 am > 4:30 pm
Thursday 25 December closed
Wednesday 31 December 11 am > 4:30 pm
Thursday 1 January 11 am > 7 pm
Monday 5 January 11 am > 7 pm
Tusday 6 January 11 am > 7 pm
– for young people aged between 18 and 25 (not yet turned 25);
– for groups of 15 people or more;
– La Galleria Nazionale, Museo Ebraico di Roma ticket holders;
– upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI Fondo Ambiente Italiano, Feltrinelli, Gruppo FS, IN/ARCH Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard;
valid for one year from the date of purchase
– minors under 18 years of age;
– myMAXXI cardholders;
– on your birthday presenting an identity document;
– upon presentation of EU Disability Card holders and or accompanying letter from hosting association/institution for: people with disabilities and accompanying person, people on the autistic spectrum and accompanying person, deaf people, people with cognitive disabilities and complex communication needs and their caregivers, people with serious illnesses and their caregivers, guests of first aid and anti-violence centres and accompanying operators, residents of therapeutic communities and accompanying operators;
– MiC employees;
– journalists who can prove their business activity;
– European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums);
– 1 teacher for every 10 students;
– AMACI members;
– CIMAM International Committee for Museums and Collections of Modern Art members;
– ICOM members;
– from Tuesday to Friday (excluding holidays) European Union students and university researchers in art history and architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students;
– IED Istituto Europeo di Design professors, NABA Nuova Accademia di Belle Arti professors, RUFA Rome University of Fine Arts professors;
– upon presentation of ID card or badge: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie;
it is mandatory to arrive at the infopoint 15 minutes before the start time indicated on the ticket
it is mandatory to arrive at the infopoint 15 minutes before the start time indicated on the ticket
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.

9 Dec 2025 06.00 pm
editorial presentationCatalogue of Things I’ve Touchedby Adelaide Cioni
13 Dec 2025 04.30 pm
MAXXIperTUTTIStorie da annusaremulti-sensory workshops
13 Dec 2025 05.00 pm
MAXXI with the familyDi Spazio in SpazioDivento Spazio
17 Dec 2025 05.00 pm
MAXXIperTUTTIThe Large Glass: plural visionsfree guided tours
17 Dec 2025 06.00 pm
lectureRicky BurdettIl DNA delle città: leggere Roma nel contesto globale
18 Dec 2025 05.00 pm
MAXXIperTUTTI1+1 sensitactile labs

videogallery – free admittance until full capacity
10 individual seats reserved for myMAXXI cardholders writing to mymaxxi@fondazionemaxxi.it, by the day before the event
On the occasion of the Pat O’Neill focus, MAXXI is celebrating the work of one of the pioneers of experimental film with a seminar exploring his long and multi-faceted career.
The artistic career of Pat O’Neill, considered to be one of the pioneers and icons of American experimental film from the early Sixties, consists of wide ranging research in the visual arts including sculpture, collage, drawing and photography.
His works, on show at the museum through to 1 December, can be found in prestigious museum collections such as those of: Hammer Museum, Los Angeles; Berkeley Art Museum and Pacific Film Archive, Berkeley; Walker Art Center, Minneapolis; Carnegie Museum of Art, Pittsburgh; Whitney Museum of American Art, New York.
With his work, O’Neill has shown us an alternative to the imaginaries created using post-production techniques, taking an avant-garde approach to subjects otherwise ignored by the mainstream film industry. Themes such as ecology, sustainability in the use of energy, the analysis of social relations, the transformations of bodies and their representation have accompanied, since the 1960s, O’Neill’s obsession with producing grotesque but at the same time poetic and ironic images that still today, in the midst of the digital age, are extremely topical. (Stefano Colicelli Cagol)
Introduced by
Bartolomeo Pietromarchi MAXXI Arte director
Paola Capata Monitor Gallery
Speaker
Stefano Collicelli Cagol curator
In collaboration with MONITOR Rome, Lisbon, Pereto (AQ), Philip Martin Gallery, Los Angeles