for young people aged between 18 and 25 (not yet turned 25); for groups of 15 people or more; La Galleria Nazionale, Museo Ebraico di Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, Feltrinelli, Gruppo FS, IN/ARCH – Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard; upon presenting at the ticket office a Frecciarossa or a Frecciargento ticket to Rome purchased between 27 November 2024 and 20 April 2025
valid for one year from the date of purchase
minors under 18 years of age; upon presentation of disability card or accompanying letter from hosting association/institution for: people with disabilities and accompanying person, people on the autistic spectrum and accompanying person, deaf people, people with cognitive disabilities and complex communication needs and their caregivers, people with serious illnesses and their caregivers, guests of first aid and anti-violence centres and accompanying operators, residents of therapeutic communities and accompanying operators; EU Disability Card holders and accompanying person; MiC employees; myMAXXI cardholders; registered journalists with a valid ID card; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; AMACI members; CIMAM – International Committee for Museums and Collections of Modern Art members; ICOM members; journalists (who can prove their business activity); European Union students and university researchers in art history and architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
for groups of 12 people in the same tour; myMAXXI membership card-holders; registered journalists with valid ID
under 14 years of age
disabled people + possible accompanying person; minors under 3 years of age (ticket not required)
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
9 Feb 2025 04.30 pm
MAXXI for familiesOggetti incredibili e come progettarli
11 Feb 2025 06.00 pm
books at MAXXIGuerra o paceby Giulio Tremonti
15 Feb 2025 05.00 pm
MAXXI with the familyDi Spazio in SpazioDivento Spazio
16 Feb 2025 05.00 pm
MAXXI with the familyDi Spazio in SpazioDivento Spazio
18 Feb 2025 06.00 pm
stories of artLecture on bluewith Marcella Beccaria
19 Feb 2025 04.30 pm
MAXXIperTUTTIDalla materia al simbolotactile lab
AAA/Italia Associazione Nazionale Archivi di Architettura Contemporanea, Accademia Nazionale di San Luca and Fondazione MAXXI are promoting call for paper aimed at graduates in architecture, engineering, art history and cultural heritage conservation, with the aim of encouraging study of the life and work of the Rome architect Maurizio Sacripanti (1916-1996).
The objective is that of finally raising awareness and initiating the study of Sacripanti’s remarkable career. The architect traversed his era, sharing and participating in some of the most significant episodes in the history of Italian architecture of the second half of the 20th century. Each competition, each design opportunity was for Sacripanti a source and stimulus for the creation of ever new architectural visions all too frequently destined to remain on the drawing board.
THE PAPERS
The papers presented should therefore investigate and present new and original thinking on the life and work of Sacripanti, with the research developed through the consultation of archive materials. Issues of a transverse nature may be tackled (for example, in relation to the scene on which Sacripanti and the protagonists of the architectural and artistic cultures contemporary with him worked) or individual projects or themes expressly associated with his work may be investigated.
The selected studies will be presented on the occasion of a dedicated event and will be published by the Fondazione MAXXI, the Accademia Nazionale di San Luca and by AAA/Italia within the ambit of recognised academic publications.
HOW TO PARTICIPATE
Participants should complete the following online form no later than 31 July 2017. The results of the selection will be communicated no later than 31 September 2017.
PARTECIPATION FORM
JURY AND SELECTION CRITERA
The selection of the participants will be conducted on the basis of the evaluation of the CVs and the papers presented. The commission will be composed of:
Maristella Casciato, Architectural Historian, Senior Curator , Architectural Collections, Getty Research Institute
Margherita Guccione, Director MAXXI Architettura
Francesco Moschini, General Secretary, Accademia Nazionale di San Luca
Elisabetta Reale, Archival Superintendency for Lazio/CTSO AAA-Italia
Carlo Serafini, Architect
FURTHER INFORMATION
The professional archive of Maurizio Sacripanti is divided into two fonds. A first documentary corpus was donated by the architect himself to the Accademia Nazionale di San Luca in 1995 and declared that same year to be of notable interest by the Archival Superintendency for the Lazio region. This collection is now fully organized and catalogued and may be consulted online at www.fondosacripanti.org.
In 2011 the remaining nucleus of drawings, photographs, models, documents and printed materials relating to the architect’s work was loaned by the Sacripanti heirs to MAXXI for the museum’s architecture collections. The collection is currently ordered and catalogued through to the archival records.