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the ticket office is open until 1 hour before the Museum closing
the only open ticket, valid for 100 years, for one admission to the Museum and all current exhibitions
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for young people aged between 14 and 25 (not yet turned 25); for groups of 15 people or more; registered journalists with a valid ID card; La Galleria Nazionale, Museo Ebraico di Roma, Villa Medici: Accademia di Francia a Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Automobile Club d’Italia (ACI), Biblioteche di Roma, Casa Internazionale delle Donne, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, IED – Istituto Europeo di Design, IN/ARCH – Istituto Nazionale di Architettura, Interclub Welfare Card, ISFCI – Istituto Superiore di Fotografia, Sapienza Università di Roma, LAZIOcrea, Officine Fotografiche, Ordine dei Medici Chirurghi e degli Odontoiatri, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Poste Italiane, Rinascente, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, UIL – Unione Italiana del Lavoro, Università degli Studi di Roma Tor Vergata, Youthcard
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upon presentation of the membership Card or Carta EFFE
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valid on Wednesdays from 2 pm for high school and university students, Italian and from the European Union – upon presentation of the personal card/booklet
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for all members of families consisting of two adults and at least one child (free for children under 14)
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minors under 14 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; ICOM members; AMACI members; accredited journalists; myMAXXI membership cardholders; European Union students and university researchers in Art and Architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge – valid for two: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document; Tuesday to Thursday for admission to Gallery 1 hosting the FUORI TUTTO exhibition
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MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
Monday closed
Tuesday to Sunday 11 am – 7 pm
the ticket office is open until 1 hour before the Museum closing
Objects of everyday use, typical of the Swedish lifestyle, form this portrait of the city. Traditional articles or to do with Stockholmers’ leisure activities or day–to–day life get a new twist through the use of Alcantara. The material implements a number of the individual objects’ ergonomic and aesthetic usage characteristics without disowning their functional form, often of ancient origin.
According to the designers, the Chilean capital’s strongest quality is its geographical location close to the Andes. However, the city’s heavy pollution means its proximity to the mountain chain is often impossible to appreciate. At the same time, the considerable difference in social conditions among the city neighbourhoods generates a contentious map, where rich and poor zones alternate in a rather irregular arrangement. The urban landscape, represented by elevations – which can be used as seats or low tables and emphasise the material’s feel – speaks of this: of the contradictions of the urban space and of a natural landscape which, it is hoped, can be given back to its legitimate inhabitants.
Rio’s allure is inseparably bound to its beaches, which are an integral part of the urban fabric. We see Ipanema as the heart of the Brazilians and their way of living in close contact with the ocean and the beach, in a community whose social life centres here. Altinha (in English: keepie–uppie) is a game in which a football is kept in the air and passed among the players without letting it touch the ground. This flight of footballs coloured with the hues of sunset highlights Alcantara’s vast colour palette and is a snapshot of a carefree moment that represents the spirit of the city and its inhabitants far better than any form of monumentality.
Chicago owes its modern look to the reconstruction after the Great Fire in the late 19th century. According to legend, the disastrous conflagration was caused by a cow that kicked over an oil lantern. However, from this tragic event a modern city arose, the first in the world to grow vertically thanks to Louis Sullivan’s famous skyscrapers, symbols of a new urban–planning era. The artist tells us a local story that goes global through his vision and usage of an exclusive pattern designed especially for the Alcantara–MAXXI project, where the origin of the story is lost amidst legend and reality.
The city–on–the–go par excellence, New York expresses its special quality for efficiency even in its urban layout characterised by orthogonal blocks of buildings that soar into the sky. Only one area breaks this architectural grid pattern: the green oasis of Central Park in the heart of Manhattan. This gap in the dense forest of constructions is a pause of rest and silence, a place where New Yorkers spend their spare time, enjoy open–air activities and socialise. Thorpe, an NYC dweller, uses the material to recreate the sense of this alternation of activity and passivity in an installation where visitors are invited to enter, lie down and change their pace and outlook.
This city is built not only on layers of geological eras but also the peoples and the art that, over the centuries, those peoples created. Mexico City preserves the ruins of its pre–Columbian past and the splendour of the Templo Mayor with its characteristic stepped profiles. The installation is a tribute to this architecture, which is no longer visible but still exists in ruins and ideal reconstructions. It also pays homage to the folk traditions which, during festivities, see the city centre streets decorated with brightly coloured perforated paper – echoed in the precise laser cutting of the layers designed by Ovalle. Layer after layer, as she draws on the historical memory and customs of the Mexican people, the designer recreates today the city’s most authentic genius loci.
According to the artists, Dakar is a very feminine city. Their tribute is all about its matriarchal society, proud of its femininity, warmth and courage. A family was chosen to represent this society, a basic social unit dressed in clothes that become canvases on which ancient yet modern patterns are painted, where abstract and figurative elements go in the same direction, into colour. A powerful and expressive force, like a primitive need which here assumes a new material consistency.
A kind of Finnish Wonderland carries us into an almost dream–like dimension, where we can sit on large red fruits, mushrooms and even a giant salmon. The difference in scale helps us to lose ourselves in the spirit of Nordic legends and in the lifestyle of the inhabitants of a big, modern city like Helsinki. Helsinkians have never broken their vital bonds with their natural surroundings and devote every moment of their spare time to it. An invitation to enjoy an enchanted experience made possible by the raw material’s versatility.
Carlo Scarpa Hall
curated by Giulio Cappellini and Domitilla Dardi
A trip from the North to the South of the globe through the projects of eight international designers
For the third and conclusive chapter of Local Icons. Urban landscapes / North-South the designers Form Us With Love, Great Things to People, Gustavo Martini, Steven Haulenbeek, Marc Thorpe, Liliana Ovalle, Seck + Birsel, Ilkka Suppanen explore the urban landscape, fusing the ideal with real life.
Two very different parts of the world come together to dialogue about the city, understood not only as a collection of monuments and buildings, but as a landscape composed of natural elements, inhabited by a community of people who condition it with their way of life. What emerges is a portrait of cities with an environmental rather than touristic dimension, composed of the observations and emotions of those intimate with the places as citizens as well as designers.
Once again Alcantara® is the medium of choice for communicating to the public the designs and the visions of the designers; in this case tackling an unprecedented scale for this material: that which goes beyond the confines of the object and takes on the grand dimensions of the urban landscape.
FORM US WITH LOVE. Stockolm / Swedish Classics X Alcantara
GREAT THINGS TO PEOPLE. Santiago de Chile / Geography of Integration
GUSTAVO MARTINI. Rio de Janeiro / Altinha
STEVEN HAULENBEEK. Chicago / City of the Big Shoulders
MARC THORPE. New York / Active/Passive
LILIANA OVALLE. Mexico City / Underlay overlay
BIRSEL + SECK. Dakar / Yere Wolof
ILKKA SUPPANEN. Helsinki / Right to Roam