for young people aged between 18 and 25 (not yet turned 25);
for groups of 15 people or more; registered journalists with a valid ID card; La Galleria Nazionale, Museo Ebraico di Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, Feltrinelli, IN/ARCH – Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard
valid for one year from the date of purchase
minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; AMACI members; CIMAM – International Committee for Museums and Collections of Modern Art members; ICOM members; journalists (who can prove their business activity); myMAXXI membership cardholders; European Union students and university researchers in art history and architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
25 Oct 2024 06.00 pm
lectureElizabeth Diller
25 Oct 2024 06.30 pm
talkMaya, immagini dal terzo millennioby Gabriella Dalesio
26 Oct 2024 12.00 pm
guided toursRestless Architecture
29 Oct 2024 > 3 Nov 2024
videogalleryI am afraid that Rome existed!
The Histories of Art, a series of seminars on the history of contemporary art from the last 50 years, organised around chronological and thematic issues, is returning to MAXXI.
Gallerists, curators and art critics meet the public to discuss the Neo-Avant-Gardes, Conceptualism and Arte Povera, Post-Modernism and the art of the new Millennium. ?Not simply lectures on contemporary art, but the stories by those protagonists who with extraordinary exhibitions have marked the history of Italian contemporary art.
I’ll tell you about an exhibition: Achille Bonito Oliva and Contemporanea
Saturday 21 January, 11.30 – 13.00
MAXXI Auditorium
Admittance €4 – free for holders of the my MAXXI membership card while places available, tickets must be picked up by 11.15 on the day of the event
Ten thematic sections: art, film, theatre, architecture, photography, music, dance, artist’s books and records, visual poetry and alternative information.
It was in 1973 that Contemporanea opened in Rome, an event of fundamental importance in Italian and international exhibition history. Conceived and curated by Achille Bonito Oliva along with a team of experts and staged in the new underground car park at Villa Borghese, the show examined the state of things and presented the leading figures of international culture.
Achille Bonito Oliva is an art critic and teaches the history of contemporary art at La Sapienza University’s faculty of architecture. He is the cultural curator of the Incontri internazionali d’arte and an arts consultant for the Orestiadi Foundation of Gibellina. He has curated numerous exhibitions in Italy and abroad, including Minimalia (1997), Gino de Dominicis. The Immortal (2010), and he was the general curator of the 45th edition of the Venice Biennale (1993). His publications include L’Ideologia del traditore, Milan, 1976, and he edited the catalogue Gino de Dominicis. L’Immortale, Milan, 2010.
Forthcoming events:
11.30 – 13.00
18 February 2012 | Angela Vettese
17 March 2012 | Germano Celant
21 April 2012 | Laura Cherubini
19 May 2012 | Laura Cherubini