for young people aged between 18 and 25 (not yet turned 25); for groups of 15 people or more; La Galleria Nazionale, Museo Ebraico di Roma, Villa Medici: Accademia di Francia a Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Automobile Club d’Italia (ACI), Biblioteche di Roma, Casa Internazionale delle Donne, Centro Sperimentale di Cinematografia, CRAL UniRoma3 APS, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, IED – Istituto Europeo di Design, IN/ARCH – Istituto Nazionale di Architettura, Interclub Welfare Card, ISFCI – Istituto Superiore di Fotografia, Sapienza Università di Roma, LAZIOcrea, Officine Fotografiche, Ordine dei Medici Chirurghi e degli Odontoiatri, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Poste Italiane, Rinascente, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, UIL – Unione Italiana del Lavoro, Università degli Studi di Roma Tor Vergata, Youthcard
the only open ticket, valid for 100 years, for one admission to the Museum and all current exhibitions
valid for access to the Museum during the last opening hour, available online and at the Museum’s digital ticket point only
upon presentation of the membership Card or Carta EFFE
buy online
minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; ICOM members; AMACI members; journalists (who can prove their business activity); myMAXXI membership cardholders; European Union students and university researchers in Art and Architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge – valid for two: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
for groups of 12 people in the same tour; myMAXXI membership card-holders; registered journalists with valid ID
under 14 years of age
disabled people + possible accompanying person; minors under 3 years of age (ticket not required)
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
23 Apr 2024 ore 18:00
talkArtificial intelligence philosophy and ethics
23 Apr 2024 ore 18:30
books at MAXXILa Russia moralizzatriceby Marta Allevato
23 Apr 2024 ore 18:30
talk + film screeningRitratto di città (20/20,000Hz)by MASBEDO
24 Apr 2024 ore 18:30
editorial presentationForgotten Architecture
5 May 2024 ore 16:00
MAXXIperTUTTIIl corpo e l’architetturatactile lab
Gianferrari Room – tickets: adults €15, reduced €13 – standing
A universe of rigorous and extremely simple signs
capable of acting as a mirror to human feelings and relations.
The works of the artist Alessandro Sciarroni, suspended between the idioms of dance and performance, seek out and find a new definition of “performing art”, appealing to the intimacy of the spectator.
For the MAXXI spaces the artist has chosen to work on a new project together with the dancers from the prestigious Rome Ballet Company, a point of reference of national importance.
With this version of Symphony of sorrowful songs – a title that pays tribute to the Polish composer Henryk Górecki – Sciarroni is focussing on the action that allows the body to rotate about its own axis.
A site specific work in which the artist shows the first material to come out of the “TURNING” project, produced during a number of days of creation with the Rome Ballet Company.
In constant equilibrium between the rationalism of the practice and the loss of equilibrium or dizziness, Sciarroni returns to a discussion of a self in search of itself, which laboriously attempts to relate to the fragility of the collective.
The performance will be presented in MAXXI’s Gianferrari Hall and during the course of the day on 8 December, the dancers from the Rome Ballet Company will be sharing their practice with the visitors in various parts of the museum.
In collaboration with Romaeuropa Festival 2015