for young people aged between 18 and 25 (not yet turned 25); for groups of 15 people or more; La Galleria Nazionale, Museo Ebraico di Roma, Villa Medici: Accademia di Francia a Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Automobile Club d’Italia (ACI), Biblioteche di Roma, Casa Internazionale delle Donne, Centro Sperimentale di Cinematografia, CRAL UniRoma3 APS, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, IED – Istituto Europeo di Design, IN/ARCH – Istituto Nazionale di Architettura, Interclub Welfare Card, ISFCI – Istituto Superiore di Fotografia, Sapienza Università di Roma, LAZIOcrea, Officine Fotografiche, Ordine dei Medici Chirurghi e degli Odontoiatri, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Poste Italiane, Rinascente, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, UIL – Unione Italiana del Lavoro, Università degli Studi di Roma Tor Vergata, Youthcard
the only open ticket, valid for 100 years, for one admission to the Museum and all current exhibitions
valid for access to the Museum during the last opening hour, available online and at the Museum’s digital ticket point only
upon presentation of the membership Card or Carta EFFE
buy online
minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; ICOM members; AMACI members; journalists (who can prove their business activity); myMAXXI membership cardholders; European Union students and university researchers in Art and Architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge – valid for two: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
for groups of 12 people in the same tour; myMAXXI membership card-holders; registered journalists with valid ID
under 14 years of age
disabled people + possible accompanying person; minors under 3 years of age (ticket not required)
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
4 exhibitions/installations
01 Francesco Venezia 25 February-30 April 2011
02 West 8 20 May-21 August 2011
03 Alberto Campo Baeza 9 September-30 October 2011 extended until 6 November
04 UNStudio November 2011-January 2012
A huge tree, the leaves of which are drawings, a marsh from which emerge images of projects, a great installation recreating the mental landscape of Alberto Campo Baeza: this is El árbol de la creación – The tree of creation, the third episode of Nature, the cycle of four monographic installations with which MAXXI Architecture is exploring new interpretations of contemporary architectural research.
The tree of creation, curated and installed by Manuel Blanco and coproduced with Acción Cultural Española (AC/E), provides a comprehensive analysis of the relationship with nature of one of Spain’s most radical contemporary architects, the creator of a significant nucleus of works that have become points of reference for the specific use of natural light and landscape.
Thursday 8 September at 20.30, on the occasion of the inauguration, Alberto Campo Baeza will hold a conference devoted to his work at the MAXXI auditorium – free admittance while seats available.
Campo Baeza, L’albero della creazione ©Cemal Emden
Campo Baeza, L’albero della creazione ©Cemal Emden
“Alberto Campo Baeza is one of the purest and most radical Spanish architects.
Natural light is the material with which he constructs the spaces of his works. The pools of light he projects and allows to slide across his walls ensure his spaces mutate continuously.
His architecture sets man on a pedestal, in the midst of nature, simultaneously utilising the solution of the protective refuge, the belvedere and the plane that leads us to the landscape.
[…]
In this exhibition I have attempted to analyse his creative process, revealing the intimate dimension of the architecture and its idiom, that which ensures that Campo Baeza, building “more with less”, is one of the great masters of contemporary architecture.’
Manuel Blanco