valid until 9 April due to the Museum’s first-floor closing
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the only open ticket, valid for 100 years, for one admission to the Museum and all current exhibitions
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valid for access to the Museum during the last opening hour, available online and at the Museum’s digital ticket point only
upon presentation of the membership Card or Carta EFFE
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minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; ICOM members; AMACI members; journalists (who can prove their business activity); myMAXXI membership cardholders; European Union students and university researchers in Art and Architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge – valid for two: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
for groups of 12 people in the same tour; myMAXXI membership card-holders; registered journalists with valid ID
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under 14 years of age
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disabled people + possible accompanying person; minors under 3 years of age (ticket not required)
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MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
Architecture Archive Center
curated by Paolo Portoghesi
An insight on 1980 exhibition which started the international debate on post-modern
Among archive documents, pictures, project drawings and direct testimonies,a physical and hystorical path, which allows to end up dentro la Strada Novissima): a collective experience orchestrated byPaolo Portoghesi /em> on the occasion of the First international architectural exhibition of the Venice Biennale, which opened to the public on 27th July 1980 and was entitled La Presenza del Passato (The Presence of the Past).
The Strada Novissima was motivated by the desire to propose a reflection on the urban street through a 70-meter path, ten façades of full scale houses per side, designed by just as many architects including Frank O. Gehry, Rem Koolhaas, Hans Hollein, Franco Purini, Arata Isozaki, Robert Venturi, Ricardo Bofill, GRAU.
On the occasion of the big exhibition La Strada, we propose an insight on this crucial moment of the architectural history of the Nineties, when the street became the concrete image of a different way to conceive architecture, definitively overcoming the dogmas of the Modern Movement.