REOPENING: 22-23-24/29-30-31 May and from 2 June on the usual opening days and hours
40 years on from his death, MAXXI is dedicating a major retrospective to him that studies and presents his versatility, starting out with an account of his architecture.
A new focus presentation of the MAXXI archives this time featuring a great photographer
REOPENING: from 2 June 2020
In the year of its 10th anniversary, MAXXI chooses to give great space to Italian creativity, by hosting the winners of the competition held by the MiBACT Italian Council.
Lo Young Architects Program, lanciato e coordinato dal MoMA, arriva alla sua 8ª edizione al MAXXI.
Seven leading international designers have been asked to investigate and present their vision regarding seven themes and functions of habitation.
REOPENING: from 18 June 2020
A review that ranges from the low-cost housing projects of the post-war years to new experimental and sustainable ways of inhabiting the planet
REOPENING: from 18 June 2020
A space inspired by Pier Luigi Nervi that visitors may enter and move around.
Three canvases combine words, painting and gestures in a critical rethinking of the past as a means of building friendships, solidarity and alliances.
Un ritratto intimo, caldo e sincero del grande Ettore Scola, maestro di regia e padre.
First edition of VEFF – Video Essay Film Festival, dedicated to one of the most popular and innovative online genres: Video Essay as a new form of critique and reflection on cinema through images, text, editing and sound.
A partire dal suo ultimo libro Vivere la Musica, il cantautore Francesco Motta racconta che cosa significa vivere con la musica.
Sorry, this entry is only available in Italian.
Ten competing Italian documentaries and a jury of experts to award the "Best Italian Documentary of the Year" and assign the "Extra Doc CityFest" award to the best unreleased documentary.
TUESDAY 11:00 am – 7:00 pm
WEDNESDAY 11:00 am – 7:00 pm
THURSDAY 11:00 am – 7:00 pm
FRIDAY 11:00 am – 7:00 pm
SATURDAY 11:00 am – 7:00 pm
SUNDAY 11:00 am – 7:00 pm
The ticket office is open until 1 hour before Museum closing.
purchase and choose the date and time of your visit.
by presenting card or ID badge for: Accademia Costume & Moda, Accademia Fotografica, Atac, Arsity, Biblioteche di Roma, Casa Internazionale delle Donne, Centro Romano di Fotografia e Cinema, Centro Sperimentale di Cinematografia, ENAV, Enel, FAI – Fondo Ambiente Italiano, Feltrinelli, Francesco Olgiati ONLUS, IED – Istituto Europeo di Design, IN/ARCH – Istituto Nazionale di Architettura, Istituto Pantheon Design & Technology, ISFCI – Istituto Superiore di Fotografia, La Rinascente, Sapienza Università di Roma, LAZIOcrea, Lazio Innova, NABA – Nuova Accademia di Belle Arti, Officine Fotografiche, Ordine degli Assistenti Sociali, Ordine Psicologi Lazio, Palazzo delle Esposizioni, Romaeuropa Festival, RUFA – Rome University of Fine Arts, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Eliseo, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Università UniCamillus a Roma, Youthcard.
under 14 years old; disabled visitors requiring accompaniment; MiBACT employees; European Union tour guides and couriers; 1 teacher for every 10 students; ICOM members; AMACI members; accredited journalists; myMAXXI membership cardholders; Tuesday to Friday – academics and university researchers in Art and Architecture; on your Birthday presenting an ID card.
The collections of the MAXXI art present themselves as a strong nucleus that witnesses the national and international artistic production
The MAXXI Architettura collections comprise all those artefacts and documents that, in various ways, represent the material and conceptual complexity of architecture.
The Centro Archivi curates and manages the MAXXI's architecture collections and provides the possibility, inside the Sala Studio, to directly consult the documents and database of its twentieth and twenty-first century collections.
With the my MAXXI card experience the museum full time: unlimited and preferential access, reduced rates to participate to cultural programmes and educational activities
Abbiamo bisogno di poter contare su di una rete di sostenitori, per incrementare la collezione permanente, tutelare la conservazione delle opere e offrire e al nostro pubblico un programma culturale di qualità.
Donate your Cinque per Mille to the MAXXI Foundation
Spazio Extra MAXXI*
Curated by Giulia Ferracci
produced in collaboration with Silvia Barbagallo
The exhibition has been extended until 31 March 2019
SPECIAL LAST FEW DAYS!
Over the weekends of 22-23-24 and 29-30-31 March the exhibition will be open from 11am to 10pm.
Alaways linked to the underground scene, a spokeperson of the 90s’ generation, which grew up amongst precariousness and the web, the G8 in Genoa and TV series, Michele Rech, under the pseudonym of
Zerocalcare is the protagonist of a large exhibition organised in co-production with Minimondi Eventi.
The project is organised around four core themes – Pop, Tribes, Struggle and Resistances, Non-Reportage – and it traces every year of his work featuring posters, a wide selection of illustrations, record covers, original illustrated pages from his 9 books, T-shirts, logos and a site specific work designed by the artist for this occasion.
*The exhibition has a dedicated ticket. For further information see Opening hours & tickets
ZAC – ZISA ARTE CONTEMPORANEA | Palermo, Italia
26 ottobre 2019 – 6 gennaio 2020
ZAC – ZISA ARTE CONTEMPORANEA | Palermo, Italia
26 October 2019 – 6 January 2020
Michele Rech paints a clear picture of the themes concerning the native generation of the 1980s, those who grew up surrounded by Game Boy, Marvel comics, superheroes and Pixar feature films. It is the portrait of a generation that is born with everything, but that gradually sees the rights that its fathers had conquered vanish. Young people who grow up during the economic boom, but who eventually see their dream of the nation as the promised land begin to fade. In this first part, the confrontation with today’s youth – and the sad realization that everything has changed – is ironically expressed through the presentation of pop icons and some cult comics like Pedagogia and Iggiovanidoggi, 2012, and La paura più grande, 2015. The exhibition continues with an analysis of the demons of our day and age: social networks, always being connected, and productivity. The theme ends with a series of illustrations taken from episodes of everyday life.
The picture, as realistic as it is disenchanted, of our contemporary age, the mirror of a society that is permanently in crisis, is also present in Struggles and Resistances. This section includes comic strips transformed by the artist into a playground for the formation of public space and civic life, posters, illustrations made to support a host of initiatives, self-published fanzines, periodicals devoted to an in-depth analysis of the underground culture. The theme dealt with in these boards concerns political conquests, it portrays different social opposition movements from recent years, and it describes the central role played by some occupied spaces in the development of a culture of difference.
Non – Reportage is the third section of the exhibition. The G8 in Genoa, in 2001, was a major event, which author considers a turning point in his life, the one that inspired him to create his first comic strip, published anonymously in Indymedia. A black wall is devoted to the event, and it includes boards and posters like La memoria è un ingranaggio collettivo (La nostra storia alla sbarra), 2004, Non è finita, 2006, A.F.A.B., 2011,In ogni caso
nessun rimorso, 2018.
This is followed by a series of reports on the facts from the national and international news, based on personal experiences or journeys. Besides Gaza and Iraq, in 2014, the artist traveled to Kobanî, where the Kurds of the Strip resist being attacked by ISIS, and whose history of resistance was published in 2015 in the weekly Internazionale, and later in the book Kobane Calling.
The heart of the exhibition, the section entitled Tribes, crosses all of the themes on display. A selection of about forty illustrated boards tells how the author’s most authentic truth resides in punk culture, in that which he himself calls his “tribe,” the “family you belong to,” the “Indian reservation.” The punk scene is made up of a social organism that is determined and coherent, it is expressed in currents, looks, musical genres, ideologies, and a variety of lifestyles, such as Straight Edge, a ‘philosophy’ that rejects drugs and drug abuse, which the author embraced when he was seventeen.