for young people aged between 18 and 25 (not yet turned 25); for groups of 15 people or more; La Galleria Nazionale, Museo Ebraico di Roma, Villa Medici: Accademia di Francia a Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Automobile Club d’Italia (ACI), Biblioteche di Roma, Casa Internazionale delle Donne, Centro Sperimentale di Cinematografia, CRAL UniRoma3 APS, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, IED – Istituto Europeo di Design, IN/ARCH – Istituto Nazionale di Architettura, Interclub Welfare Card, ISFCI – Istituto Superiore di Fotografia, Sapienza Università di Roma, LAZIOcrea, Officine Fotografiche, Ordine dei Medici Chirurghi e degli Odontoiatri, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Poste Italiane, Rinascente, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, UIL – Unione Italiana del Lavoro, Università degli Studi di Roma Tor Vergata, Youthcard
the only open ticket, valid for 100 years, for one admission to the Museum and all current exhibitions
valid for access to the Museum during the last opening hour, available online and at the Museum’s digital ticket point only
upon presentation of the membership Card or Carta EFFE
buy online
minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; ICOM members; AMACI members; journalists (who can prove their business activity); myMAXXI membership cardholders; European Union students and university researchers in Art and Architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge – valid for two: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
for groups of 12 people in the same tour; myMAXXI membership card-holders; registered journalists with valid ID
under 14 years of age
disabled people + possible accompanying person; minors under 3 years of age (ticket not required)
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
23 Apr 2024 ore 18:00
talkArtificial intelligence philosophy and ethics
23 Apr 2024 ore 18:30
books at MAXXILa Russia moralizzatriceby Marta Allevato
23 Apr 2024 ore 18:30
talk + film screeningRitratto di città (20/20,000Hz)by MASBEDO
24 Apr 2024 ore 18:30
editorial presentationForgotten Architecture
5 May 2024 ore 16:00
MAXXIperTUTTIIl corpo e l’architetturatactile lab
MAXXI Auditorium – entrance 5 euro – subscription to three meetings 10 euro
free for holders of the myMAXXI card until full capacity
curated by Ernesto Assante and Gino Castaldo
The street is the place of popular music, a physical place but also, and above all, a conceptual space, an idea, around which much music has been written, sung, and played. Indeed, along the roads of music dreams, visions, thoughts, ideas were born, which have found different forms, which have turned into songs, works, and compositions. The aim of these meetings is to draw a map of the rich, complex, fruitful relationship between the street and music, a relationship that we could say was born with the music itself, which passed through folk, rock, blues and, today, rap. Three appointments to retrace the long road that leads to us.
BLUES
with Alex Britti
A legend says that one night Robert Johnson had gone to the centre of a crossroads at midnight and there he started playing, waiting for something he didn’t know what it could be. At one point a black man arrived who had taken his guitar, tuned it, played an unknown tune and then returned the instrument to him. The legend of the crossroads and the pact with the devil is almost certainly false, but the story has gradually spread over the years. It is the most mythical street of the blues, the “crossroads” that Johnson sang in the song with the same name, the first of many crossroads, of a thousand streets, that the bluesmen have physically travelled with their guitars and their stories, all the way up to present day.
Alex Britti, prominent musician of the contemporary panorama of Italian and international Jazz and Blues, will tell us this and many other stories about Blues.