valid until 9 April due to the Museum’s first-floor closing
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the only open ticket, valid for 100 years, for one admission to the Museum and all current exhibitions
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valid for access to the Museum during the last opening hour, available online and at the Museum’s digital ticket point only
upon presentation of the membership Card or Carta EFFE
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minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; ICOM members; AMACI members; journalists (who can prove their business activity); myMAXXI membership cardholders; European Union students and university researchers in Art and Architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge – valid for two: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
for groups of 12 people in the same tour; myMAXXI membership card-holders; registered journalists with valid ID
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under 14 years of age
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disabled people + possible accompanying person; minors under 3 years of age (ticket not required)
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MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
31 Mar 2024 ore 11:30
guided toursJannis KounellisNotte
31 Mar 2024 ore 16:30
MAXXI in famigliaAlla scoperta del MAXXI con Stella
3 Apr 2024 ore 17:30
books at MAXXIIl Ducettoby Alessandro De Nicola
5 Apr 2024 ore 18:00
books at MAXXILo Stemmaby Fulvio Abbate
10 Apr 2024 ore 17:00
Visita guidata per docentiIl MAXXI incontra la scuola
10 Apr 2024 ore 18:00
libri al MAXXIA te vicino così dolcedi Serena Bortone
Guido Reni Hall – admittance € 5,00 – 3 meetings € 10,00 – free for myMAXXI cardholders.
Purchase of a ticket provides for reduced price museum entrance within one week of issue.
A project conceived and curated by Anna Lea Antolini, with the academics Ada D’Adamo, Rossella Battisti, Gaia Clotilde Chernetich and the dancers from the Balletto di Roma Fabio Novembrini, Roberta Racis and Francesco Saverio Cavaliere.
Performance and dance, a project based on the active participation of academics, dancers and the audience
Through a practical-theoretical lesson open to all and based on simple actions that from everyday life achieve the status of dance, the meeting stimulates non-conventional audience participation.
Introducing the audience to the performative idiom through its history and the experience of ordinary action, we re-evaluate the everyday and its gestures within an artistic context and rediscover that performance art belongs to the history of humanity.
Each lesson is animated by an expert in dance, a dancer and by the audience itself and is composed of a practical-theoretical part and one of “physical transmission”, rethinking actions we know well but never stop to think about and discovering in an informal way the key passages in the history of dance and performance.
Stand up/fall down
with Ada D’Adamo and Fabio Novembrini
In the first encounter we start out from the condition that distinguishes the human being from the animal: standing up. This “natural” state is the point of departure for an investigation of the pairing “stand up/fall down”, in a continual dialectic between verticality and horizontality that produces meaning on the symbolic, physical and expressive planes. Suggestions and visions from literature and art, from film and the news stimulate this path to explore together – in both body and observing key moments in the history of dance and performance – the inexhaustible dialogue between everyday gesture and danced gesture.
Coproduced with Cro.me – Cronaca Memoria dello Spettacolo for R.I.SI.CO. Interactive network for Choreographical Systems in collaboration with MAXXI, with the direct participation of the Balletto di Roma and the contribution of Mibact – Live Performance Department