for young people aged between 18 and 25 (not yet turned 25); for groups of 15 people or more; La Galleria Nazionale, Museo Ebraico di Roma, Villa Medici: Accademia di Francia a Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Automobile Club d’Italia (ACI), Biblioteche di Roma, Casa Internazionale delle Donne, Centro Sperimentale di Cinematografia, CRAL UniRoma3 APS, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, IED – Istituto Europeo di Design, IN/ARCH – Istituto Nazionale di Architettura, Interclub Welfare Card, ISFCI – Istituto Superiore di Fotografia, Sapienza Università di Roma, LAZIOcrea, Officine Fotografiche, Ordine dei Medici Chirurghi e degli Odontoiatri, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Poste Italiane, Rinascente, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, UIL – Unione Italiana del Lavoro, Università degli Studi di Roma Tor Vergata, Youthcard
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valid for access to the Museum during the last opening hour, available online and at the Museum’s digital ticket point only
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minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; ICOM members; AMACI members; journalists (who can prove their business activity); myMAXXI membership cardholders; European Union students and university researchers in Art and Architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge – valid for two: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
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disabled people + possible accompanying person; minors under 3 years of age (ticket not required)
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
5 May 2024 ore 16:00
MAXXIperTUTTIIl corpo e l’architetturatactile lab
11 May 2024 ore 16:00
MAXXIperTUTTIMind the bend!Italian Sign Language workshop for families
18 May 2024 ore 16:00
MAXXIperTUTTIToccare lo spaziotactile lab
19 May 2024 ore 11:00
MAXXIperTUTTISign, body, spaceItalian Sign Language guided tours
MAXXI Architettura Archives Centre – admittance free subject to availability of places
With the construction of the bridge over the Maracaibo lagoon in Venezuela, an extraordinary megastructure of a world record 9 kilometres in length, Riccardo Morandi achieved the international fame and acclaim as master builder of bridges and viaducts, earning the epithet Le Corbusier on four wheels.
Both worked in Rome and their actions emerge inevitably, without ever intersecting: Morandi and Nervi, protagonists of the season of great Italian engineering.
In 1962, both were awarded prizes by Aitec Associazione Italiana Tecnico Economica del Cemento – for their diverse but equally remarkable masterpieces that were to mark the history of architecture: the palazzo dello Sport (1957-59)in Rome for Nervi and the Underground Pavilion in Turin (1961) for Morandi.
The props in reinforced concrete to which the slim vaults of Nervi’s roof elegantly conform, are countered by Morandi with the imposing blocks of the portals, the powerful masses in finely calibrated equilibrium of his prestressed structures.
The conference investigates not only Morandi’s professional career, but also the expressive quality and the innovative aesthetic charge that marks his masterpieces. A specific section is devoted to the relationship between the built work and its insertion into the landscape and a concluding focus looks at the extensive archive the great engineer’s heirs have deposited in the Central State Archive in Rome.
Speakers
Marzia Marandola Sapienza University, Rome
Maurizio Morandi
Flavia Lorello Central State Archive, Rome