A renewal at the heart of the museum with a new set- up of the permanent Collection
An exhibition dedicated to those artistic paths that seek another dimension, of absolute, between universal, material and immaterial, immanent and transcendent.
40 years on from his death, MAXXI is dedicating a major retrospective to him that studies and presents his versatility, starting out with an account of his architecture.
The Basilicata Museum Complex and MAXXI, in collaboration with the 2019 Matera-Basilicata Foundation, present two new video works by the Iranian artist Shirin Neshat.
A review that ranges from the low-cost housing projects of the post-war years to new experimental and sustainable ways of inhabiting the planet
A necessary tribute to a great artist who created a language in relational art made of sensitivity, local tradition and global codes.
A public art project set in Rome’s Piazza del Popolo to celebrate the universal event of birth, moving a sudden and sincere emotion.
Altan’s entire world told through original drawings, posters, illustrations, paintings, sketches, tables, books and videos.
Fifty years after the “spring in which the streets and squares of our country resounded with freedom”, that concept, cultivated by the baby boomer generation, is at risk of collapse.
Un percorso guidato gratuito ad alcune gallerie del Museo a cura degli ospiti dell’Istituto di riabilitazione Leonarda Vaccari.
Un straordinario viaggio nel progetto che indaga il tema dello spirituale attraverso lo sguardo dell’arte contemporanea e, al contempo, della storia arcaica di Roma.
A new focus presentation of the MAXXI archives this time featuring a great photographer
«Painting recognises no customs. Children do not know gender. Art hates painters».
A cinematographic animation project that starts on paper to transform into a collective and participatory art performance.
An international review examining and investigating, through diverse idioms, the myriad faces of contemporary living.
From the Etruscan walls to street art, Montanari gives voice to contemporary paintings, sculptures and graffiti.
Tre incontri per ripercorrere l'attività di una delle più grandi fotografe del nostro tempo.
Una raccolta fotografica che racconta il mondo con gli occhi di chi ha ancora voglia di scoprirlo.
Literature and novels are an ideal instrument to talk about history.
From the Collection to "Maria Lai. Tenendo per mano il sole (Holding the sun by the hand)".
TUESDAY 11:00 am – 8:00 pm
WEDNESDAY 11:00 am – 7:00 pm
THURSDAY 11:00 am – 7:00 pm
FRIDAY 11:00 am – 8:00 pm
SATURDAY 11:00 am – 8:00 pm
SUNDAY 11:00 am – 7:00 pm
The ticket office is open until 1 hour before Museum closing.
Every Monday, 1 May, 25 December
24 DECEMBER 11:00 am – 5:30 pm
31 DECEMBER 11:00 – 5:30 pm
6 JANUARY 11:00 – 8:00 pm
TUESDAY and THURSDAY 8:00 am – 8:00 pm
WEDNESDAY and FRIDAY 8:00 am – 7:30 pm
SATURDAY and SUNDAY 9:00 am – 7:30 pm
TUESDAY to THURSDAY 11:00 am – 00:00 am
FRIDAY and SATURDAY 11:00 am – 2:00 am
SUNDAY 11:00 am – 7:00 pm
for young people of between 14 and up to 25 years of age; for groups of at least 15 people and affiliated groups; accredited journalists with a valid press pass; FAI – Fondo Ambiente Italiano members; holders of Bibliocard – Biblioteche di Roma; holders of entrance tickets for the Museo Ebraico of Rome; holders of entrance tickets for La Galleria Nazionale; Consiglio Nazionale degli Architetti members; Associazione Italiana Ambasciatori del Gusto members and relatives; holders of Pro Loco membership card.
for all members of families composed of two adults and at least one child (free for under-14s).
every Tuesday, access the museum at a reduced price, thanks to Enel . Valid until 8 March, on the occasion of “on the spiritual matter of art” exhibition.
for “last hour” admissions from 5:30 pm (Wednesday, Thursday and Sunday) and from 6:30 pm (Tuesday, Friday and Saturday); Wednesday from 2:00 PM for Italian and European Union high school and university students – subject to the showing of personal student cards or documents, students (o9ver 14 years of age) for class groups (second level secondary schools) acquiring MAXXI educational activities; for entrance to videogallery screenings (free with the purchase of a full or reduced price entrance ticket).
valid for two entrances on two consecutive days.
valid for exhibition entrance at Extra MAXXI.
valid for museum entrance and Extra MAXXI.
for young people between 14 and up to 25 years of age; for groups of at least 15 people and affiliated groups; accredited journalists with a valid press pass; FAI – Fondo Ambiente Italiano members; holders of Bibliocard – Biblioteche di Roma; holders of entrance tickets for the Museo Ebraico of Rome; holders of entrance tickets for La Galleria Nazionale; Consiglio Nazionale degli Architetti members; Associazione Italiana Ambasciatori del Gusto members and relatives; holders of Pro Loco membership card.
present a ticket to the National Etruscan Museum of Villa Giulia and access the MAXXI at a reduced price. Furthermore, by presenting a MAXXI ticket at the National Etruscan Museum of Villa Giulia, you will have access to € 7 instead of 10. Valid until March 8, on the occasion of the exhibition “on the spiritual matter of art”.
under 14 years old, disabled visitors requiring accompaniment, companions of disabled visitors, MiBAC employees, European Union tour guides and couriers, 1 teacher for every 10 students, ICOM members, AMACI members, accredited journalists, MAXXI membership card holder; from Tuesday to Friday, free admittance for academics and university researchers in Art and Architecture; on your Birthday; for entrance to the permanent collection, from Tuesday to Thursday; for women on 8 March.
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The collections of the MAXXI art present themselves as a strong nucleus that witnesses the national and international artistic production
The MAXXI Architettura collections comprise all those artefacts and documents that, in various ways, represent the material and conceptual complexity of architecture.
The Centro Archivi curates and manages the MAXXI's architecture collections and provides the possibility, inside the Sala Studio, to directly consult the documents and database of its twentieth and twenty-first century collections.
With the my MAXXI card experience the museum full time: unlimited and preferential access, reduced rates to participate to cultural programmes and educational activities
We need to be able to count on a network of benefactors, both in Italy and abroad, to enhance the museum’s permanent collection, guarantee the conservation of the works and present our public with an engaging cultural programme.
Donate your Cinque per Mille to the MAXXI Foundation
Carlo Scarpa Hall
curated by Giulio Cappellini and Domitilla Dardi
For the third and conclusive chapter of Local Icons. Urban landscapes / North-South the designers Form Us With Love, Great Things to People, Gustavo Martini, Steven Haulenbeek, Marc Thorpe, Liliana Ovalle, Seck + Birsel, Ilkka Suppanen explore the urban landscape, fusing the ideal with real life.
Two very different parts of the world come together to dialogue about the city, understood not only as a collection of monuments and buildings, but as a landscape composed of natural elements, inhabited by a community of people who condition it with their way of life. What emerges is a portrait of cities with an environmental rather than touristic dimension, composed of the observations and emotions of those intimate with the places as citizens as well as designers.
Once again Alcantara® is the medium of choice for communicating to the public the designs and the visions of the designers; in this case tackling an unprecedented scale for this material: that which goes beyond the confines of the object and takes on the grand dimensions of the urban landscape.
Objects of everyday use, typical of the Swedish lifestyle, form this portrait of the city. Traditional articles or to do with Stockholmers’ leisure activities or day–to–day life get a new twist through the use of Alcantara. The material implements a number of the individual objects’ ergonomic and aesthetic usage characteristics without disowning their functional form, often of ancient origin.
According to the designers, the Chilean capital’s strongest quality is its geographical location close to the Andes. However, the city’s heavy pollution means its proximity to the mountain chain is often impossible to appreciate. At the same time, the considerable difference in social conditions among the city neighbourhoods generates a contentious map, where rich and poor zones alternate in a rather irregular arrangement. The urban landscape, represented by elevations – which can be used as seats or low tables and emphasise the material’s feel – speaks of this: of the contradictions of the urban space and of a natural landscape which, it is hoped, can be given back to its legitimate inhabitants.
Rio’s allure is inseparably bound to its beaches, which are an integral part of the urban fabric. We see Ipanema as the heart of the Brazilians and their way of living in close contact with the ocean and the beach, in a community whose social life centres here. Altinha (in English: keepie–uppie) is a game in which a football is kept in the air and passed among the players without letting it touch the ground. This flight of footballs coloured with the hues of sunset highlights Alcantara’s vast colour palette and is a snapshot of a carefree moment that represents the spirit of the city and its inhabitants far better than any form of monumentality.
Chicago owes its modern look to the reconstruction after the Great Fire in the late 19th century. According to legend, the disastrous conflagration was caused by a cow that kicked over an oil lantern. However, from this tragic event a modern city arose, the first in the world to grow vertically thanks to Louis Sullivan’s famous skyscrapers, symbols of a new urban–planning era. The artist tells us a local story that goes global through his vision and usage of an exclusive pattern designed especially for the Alcantara–MAXXI project, where the origin of the story is lost amidst legend and reality.
The city–on–the–go par excellence, New York expresses its special quality for efficiency even in its urban layout characterised by orthogonal blocks of buildings that soar into the sky. Only one area breaks this architectural grid pattern: the green oasis of Central Park in the heart of Manhattan. This gap in the dense forest of constructions is a pause of rest and silence, a place where New Yorkers spend their spare time, enjoy open–air activities and socialise. Thorpe, an NYC dweller, uses the material to recreate the sense of this alternation of activity and passivity in an installation where visitors are invited to enter, lie down and change their pace and outlook.
This city is built not only on layers of geological eras but also the peoples and the art that, over the centuries, those peoples created. Mexico City preserves the ruins of its pre–Columbian past and the splendour of the Templo Mayor with its characteristic stepped profiles. The installation is a tribute to this architecture, which is no longer visible but still exists in ruins and ideal reconstructions. It also pays homage to the folk traditions which, during festivities, see the city centre streets decorated with brightly coloured perforated paper – echoed in the precise laser cutting of the layers designed by Ovalle. Layer after layer, as she draws on the historical memory and customs of the Mexican people, the designer recreates today the city’s most authentic genius loci.
According to the artists, Dakar is a very feminine city. Their tribute is all about its matriarchal society, proud of its femininity, warmth and courage. A family was chosen to represent this society, a basic social unit dressed in clothes that become canvases on which ancient yet modern patterns are painted, where abstract and figurative elements go in the same direction, into colour. A powerful and expressive force, like a primitive need which here assumes a new material consistency.
A kind of Finnish Wonderland carries us into an almost dream–like dimension, where we can sit on large red fruits, mushrooms and even a giant salmon. The difference in scale helps us to lose ourselves in the spirit of Nordic legends and in the lifestyle of the inhabitants of a big, modern city like Helsinki. Helsinkians have never broken their vital bonds with their natural surroundings and devote every moment of their spare time to it. An invitation to enjoy an enchanted experience made possible by the raw material’s versatility.