Monday closed Tuesday to Friday 11 am – 7 pm Saturday and Sunday 10 am – 7 pm the ticket office is open until 1 hour before the Museum closing
Access to the Museum requires the presentation of the EU Digital COVID Certificate (Super Green Pass)together with an ID card. The provisions do not apply to children under 12 years of age or those with specific medical certifications.
for young people aged between 14 and 25 (not yet turned 25); for groups of 15 people or more; registered journalists with a valid ID card; Museo Ebraico di Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Casa Internazionale delle Donne, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, IED – Istituto Europeo di Design, IN/ARCH – Istituto Nazionale di Architettura, Interclub Welfare Card, ISFCI – Istituto Superiore di Fotografia, Sapienza Università di Roma, LAZIOcrea, NABA – Nuova Accademia di Belle Arti, Officine Fotografiche, Ordine degli Assistenti Sociali, Ordine dei Medici Chirurghi e degli Odontoiatri, Ordine Psicologi Lazio, Palazzo delle Esposizioni, Rinascente, Romaeuropa Festival, RUFA – Rome University of Fine Arts, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard. buy online
minors under 14 years of age; disabled people requiring companion; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; ICOM members; AMACI members; accredited journalists; myMAXXI membership cardholders; European Union students and university researchers in Art and Architecture from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge – valid for two: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document; for the entrance to gallery 1, from Tuesday to Thursday. book online
choose the date and time of your visit; for all members of families consisting of two adults and at least one child (free for children under 14); upon presentation of the Feltrinelli card or the “mini” ticket; all MAXXI reductions. buy online
minors under 14 years of age; disabled people requiring companion; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); ICOM members; AMACI members. book online
upon presentation of myMAXXI card or Legendary Ticket; young people aged between 14 and 25 years – not completed; groups of 12 people; all members of families consisting of two adults and at least one child (free for under 14s); registered journalists with a valid ID card. buy online
Lectio magistralis.Massimo Cacciari’s restless mind
Carlo Scarpa hall – admittance € 5 10 individual seats reserved for myMAXXI cardholders writing to email@example.com the day before the event
A thought on the past but also on the worldly and ultra-worldly future.
A vision of the period of Humanism still predominates, which exalts, on the one hand, the aesthetic-artistic values, and tends to reduce, on the other hand, the thought to rhetorical-philological elements. Massimo Cacciari makes us understand how things are more complex and less schematic, and how humanistic philology should be inserted in a more extensive cultural project where attention to the past is complementary to the reflection on the worldly and ultra-worldly future.
This philology is intimately philosophy and theology. And the philosophical knots faced by the humanists (who in this perspective do not begin with Petrarch or the Paduans, but with Dante) are difficult to ascribe to harmonic or pacifying systems, according to a traditional Renaissance vision. There is a tragic core of strong “anti-dialectical” humanistic thought, in which the opposite polarities are neither harmonised nor synthesised.