for young people aged between 18 and 25 (not yet turned 25); for groups of 15 people or more; La Galleria Nazionale, Museo Ebraico di Roma, Villa Medici: Accademia di Francia a Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Automobile Club d’Italia (ACI), Biblioteche di Roma, Casa Internazionale delle Donne, Centro Sperimentale di Cinematografia, CRAL UniRoma3 APS, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, IED – Istituto Europeo di Design, IN/ARCH – Istituto Nazionale di Architettura, Interclub Welfare Card, ISFCI – Istituto Superiore di Fotografia, Sapienza Università di Roma, LAZIOcrea, Officine Fotografiche, Ordine dei Medici Chirurghi e degli Odontoiatri, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Poste Italiane, Rinascente, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, UIL – Unione Italiana del Lavoro, Università degli Studi di Roma Tor Vergata, Youthcard
the only open ticket, valid for 100 years, for one admission to the Museum and all current exhibitions
valid for access to the Museum during the last opening hour, available online and at the Museum’s digital ticket point only
upon presentation of the membership Card or Carta EFFE
buy online
minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; ICOM members; AMACI members; journalists (who can prove their business activity); myMAXXI membership cardholders; European Union students and university researchers in Art and Architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge – valid for two: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
for groups of 12 people in the same tour; myMAXXI membership card-holders; registered journalists with valid ID
under 14 years of age
disabled people + possible accompanying person; minors under 3 years of age (ticket not required)
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
23 Apr 2024 ore 18:00
talkArtificial intelligence philosophy and ethics
23 Apr 2024 ore 18:30
books at MAXXILa Russia moralizzatriceby Marta Allevato
23 Apr 2024 ore 18:30
talk + film screeningRitratto di città (20/20,000Hz)by MASBEDO
24 Apr 2024 ore 18:30
editorial presentationForgotten Architecture
5 May 2024 ore 16:00
MAXXIperTUTTIIl corpo e l’architetturatactile lab
follow the live streaming on this page
The MAXXI Collection between direct testimonies of the artists and tributes to the great masters of contemporary art.
The talks are an opportunity to discuss and reflect on the evolution of artistic language over the last forty years.
Protagonist of the MAXXI Collections with her work Ingres Wood Seven, the German artist Katharina Grosse meets MAXXI Arte Director Bartolomeo Pietromarchi to speak about her career and her last works, now showing in the exhibition Separatrix at the Gagosian in Rome.
Grosse embraces the events that occur as she paints, opening up surfaces and spaces to chance. In massive in situ paintings – where she uses a spray gun to propel unmixed color over objects, rooms, buildings, and even entire landscapes – and autonomous works on canvas, paper, and sculptural supports, she stylizes gesture as a spontaneous mark of personal agency.
In her latest works, Grosse experimented with a wet-on wet technique using vibrant pigments, allowing them to swim and intermingle across the surface, leaving behind iridescent pools and blooms. After returning to her Berlin studio, she transferred what she terms the ‘consequences’ of these watercolors to a series of large-scale paintings, setting the canvas horizontally, adding dilute acrylics using a brush, and then tilting the support to produce multidirectional drips and currents of color as a secondary gesture.
in collaboration with Gagosian, Accademia Tedesca Roma Villa Massimo and Goethe Institut.