Monday closed Tuesday to Friday 11 am – 7 pm Saturday and Sunday 11 am – 8 pm the ticket office is open until 1 hour before Museum closing
Access to the Museum requires the presentation of the EU digital COVID certificate, in accordance with the regulations in force on the day of the visit, together with an ID card. The provisions do not apply to children under 12 years of age or to persons with specific medical certifications.
for young people aged between 14 and 25 (not yet turned 25); for groups of 15 people or more; registered journalists with a valid ID card; Museo Ebraico di Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Casa Internazionale delle Donne, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, IED – Istituto Europeo di Design, IN/ARCH – Istituto Nazionale di Architettura, Interclub Welfare Card, ISFCI – Istituto Superiore di Fotografia, Sapienza Università di Roma, LAZIOcrea, NABA – Nuova Accademia di Belle Arti, Officine Fotografiche, Ordine degli Assistenti Sociali, Ordine dei Medici Chirurghi e degli Odontoiatri, Ordine Psicologi Lazio, Palazzo delle Esposizioni, Rinascente, Romaeuropa Festival, RUFA – Rome University of Fine Arts, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard. buy online
minors under 14 years of age; disabled people requiring companion; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; ICOM members; AMACI members; accredited journalists; myMAXXI membership cardholders; European Union students and university researchers in Art and Architecture from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge – valid for two: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document; for the entrance to gallery 1, from Tuesday to Thursday. book online
choose the date and time of your visit; for all members of families consisting of two adults and at least one child (free for children under 14); upon presentation of the Feltrinelli card or the “mini” ticket; all MAXXI reductions. buy online
minors under 14 years of age; disabled people requiring companion; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); ICOM members; AMACI members. book online
upon presentation of myMAXXI card or Legendary Ticket; young people aged between 14 and 25 years – not completed; groups of 12 people; all members of families consisting of two adults and at least one child (free for under 14s); registered journalists with a valid ID card. buy online
event cancelled due to the artist’s personal reasons Carlo Scarpa hall – 10 individual seats reserved for myMAXXI cardholders writing to email@example.com by the day before the event
Durham overturns clichés and status symbols, opening to other and alternative visions, not always – almost never in fact – corresponding to those of the dominant cultural thinking.
A special encounter between one of the protagonists of the exhibition “della materia spirituale dell’arte” and career Leone d’Oro winner at the 58th Venice Biennale, Jimmie Durham and MAXXI’s Artistic Director Hou Hanru.
As well as an artist, Jimmie Durham is also an essayist, poet and political activist. His artistic research is based on the critical analysis and deconstruction of the founding concepts and symbols of western culture. Through diverse materials (stone above all) and artistic idioms (installation, sculpture, video and writing), Durham overturns clichés and status symbols, opening to other and alternative visions, not always – almost never in fact – corresponding to those of the dominant cultural thinking.