Monday closed
Tuesday to Sunday 11 am – 7 pm
Saturday and Sunday last entry at 5:30 pm
EARLY TICKET OFFICE CLOSURES
the ticket office closes at 5:30 pm
• Thursday, 25 and Friday, 26 April
• Thursday, 2 and Friday, 3 May
for young people aged between 18 and 25 (not yet turned 25); for groups of 15 people or more; La Galleria Nazionale, Museo Ebraico di Roma, Villa Medici: Accademia di Francia a Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Automobile Club d’Italia (ACI), Biblioteche di Roma, Casa Internazionale delle Donne, Centro Sperimentale di Cinematografia, CRAL UniRoma3 APS, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, IED – Istituto Europeo di Design, IN/ARCH – Istituto Nazionale di Architettura, Interclub Welfare Card, ISFCI – Istituto Superiore di Fotografia, Sapienza Università di Roma, LAZIOcrea, Officine Fotografiche, Ordine dei Medici Chirurghi e degli Odontoiatri, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Poste Italiane, Rinascente, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, UIL – Unione Italiana del Lavoro, Università degli Studi di Roma Tor Vergata, Youthcard
the only open ticket, valid for 100 years, for one admission to the Museum and all current exhibitions
upon presentation of the membership Card or Carta EFFE
buy online
minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; ICOM members; AMACI members; journalists (who can prove their business activity); myMAXXI membership cardholders; European Union students and university researchers in Art and Architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge – valid for two: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
for groups of 12 people in the same tour; myMAXXI membership card-holders; registered journalists with valid ID
under 14 years of age
disabled people + possible accompanying person; minors under 3 years of age (ticket not required)
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
5 May 2024 ore 16:00
MAXXIperTUTTIIl corpo e l’architetturatactile lab
11 May 2024 ore 16:00
MAXXIperTUTTIMind the bend!Italian Sign Language workshop for families
18 May 2024 ore 16:00
MAXXIperTUTTIToccare lo spaziotactile lab
19 May 2024 ore 11:00
MAXXIperTUTTISign, body, spaceItalian Sign Language guided tours
MAXXI auditorium – € 5
carnet for four meetings € 10
10 individual seats free and reserved for myMAXXI cardholders by writing to mymaxxi@fondazionemaxxi.it, by the day before the event
Four meetings to know Ponti’s multi-faceted activities, which include architecture, design, teaching, publishing, decoration, and scenography.
The programme intends to flank the exhibition in introducing and bringing the audience closer to Ponti’s multi-faceted activities: architecture and design, teaching and publishing, decoration and scenography; a legacy that has no equal in terms of versatility, flair, and commitment. A five-lesson long path designed to outline the professional profile of a person who actively participated in the re-birth of post-war Italian design.
Gio Ponti and the arts
with Francesca Zanella
“Which is the most important of the arts? This issue has no importance.”
The relationship between architecture and arts is a central theme of Gio Ponti’s though, as evidenced by this question asked among the fifty questions at the end of his book Amate l’architettura (Love Architecture, 1957).
We trace a constant pursuit of the eternal theme of the relationship between the arts and attention to the transformation of plastic and visual languages, from the first interventions starting in the 1930s to the 1970s, in the field of design, writing, publishing, and art direction at the Triennale.
Francesca Zanella, university contemporary art history researcher, she teaches history and theory of exhibitions and installations at the Department of Humanities, Social Studies, and Cultural Enterprises at the University of Parma. She has been the president of the University of Parma Communication Archive (CSAC) since 2015.