valid until 9 April due to the Museum’s first-floor closing
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the only open ticket, valid for 100 years, for one admission to the Museum and all current exhibitions
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valid for access to the Museum during the last opening hour, available online and at the Museum’s digital ticket point only
upon presentation of the membership Card or Carta EFFE
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minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; ICOM members; AMACI members; journalists (who can prove their business activity); myMAXXI membership cardholders; European Union students and university researchers in Art and Architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge – valid for two: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
for groups of 12 people in the same tour; myMAXXI membership card-holders; registered journalists with valid ID
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under 14 years of age
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disabled people + possible accompanying person; minors under 3 years of age (ticket not required)
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MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
31 Mar 2024 ore 11:30
guided toursJannis KounellisNotte
31 Mar 2024 ore 16:30
MAXXI in famigliaAlla scoperta del MAXXI con Stella
3 Apr 2024 ore 17:30
books at MAXXIIl Ducettoby Alessandro De Nicola
5 Apr 2024 ore 18:00
books at MAXXILo Stemmaby Fulvio Abbate
10 Apr 2024 ore 17:00
Visita guidata per docentiIl MAXXI incontra la scuola
10 Apr 2024 ore 18:00
libri al MAXXIA te vicino così dolcedi Serena Bortone
Expanded Video presents an Italian preview of a number of video works and live performances by Jacob TV, Masbedo, Martha Colburn and People Like Us (aka Vicki Bennett).?Organized in collaboration with the Music for Rome Foundation, the series arises from the confrontation and interaction between different forms of creativity that define a common idiom in which listening and seeing become analogous and equivalent episodes. ?The works of the selected artists, in which the diverse idioms fuse and integrate perfectly, are linked by a shared emancipation from the ties and conventions of the individual media. Sound becomes narration and the image dissolves in an ever-different rhythm.
FIRST PERFORMANCE
4 May, 20.30?
Jacob TV- BOOMBOX?
MAXXI, Gallery 5?
Jacob Tv, defined as the “Jeff Koons” of today, has rapidly made a name for himself on the international scene thanks to his original urban style incorporating speech, a fearless use of media and highly effective instrumental grooves.
JACOB TV – BROKEN DREAMS from THE NEWS, a reality opera, 2011 in progress – 17′ c.a
NEXT PERFORMANCES
7 May, 14.00 – 22.00
Masbedo – C’EST LA VIE PAS LE PARADIS
MAXXI, Gallery 5?
Masbedo presents a complex multidisciplinary artistic event incorporating video art, music, words, architecture and performance. A video-installation of previously unseen works will embrace the spectator in a labyrinth of visual stimuli and flows of images in a parallel time, a space mid-way between reality and fiction.
19 May, 20.30
Martha Colburn – DOLLS VS. DICTATORS
MAXXI, Gallery 5
Martha Colburn mainly works by animating two-dimensional images: cuttings from newspapers, images drawn from the most diverse media and figures specifically created by her, old 8 and 16 mm film to create a fantastic world in which the anxiety of the real is always present.
24 May, 21.00?
People Like Us – GENRE COLLAGE ?
Auditorium Parco della musica, Teatro Studio?
People Like Us, through the use of sounds and images familiar to us succeeds in producing a new emotional location, an intentional violation of the narrative continuity, assembling scenes that no longer correspond to a tranquil cinematographic sequence.