valid until 9 April due to the Museum’s first-floor closing
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the only open ticket, valid for 100 years, for one admission to the Museum and all current exhibitions
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valid for access to the Museum during the last opening hour, available online and at the Museum’s digital ticket point only
upon presentation of the membership Card or Carta EFFE
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minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; ICOM members; AMACI members; journalists (who can prove their business activity); myMAXXI membership cardholders; European Union students and university researchers in Art and Architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge – valid for two: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
for groups of 12 people in the same tour; myMAXXI membership card-holders; registered journalists with valid ID
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under 14 years of age
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disabled people + possible accompanying person; minors under 3 years of age (ticket not required)
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MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
video gallery – admittance free
artapes is a project curated by Giulia Ferracci
In the 1970s the New York Times was already defining her film Jeanne Dielman (1975) as “the first female masterpiece in the history of film”: Chantal Akerman is recognised by the critics as one of the most revolutionary artists on the international scene, a source of inspiration for directors of the calibre of Gus Van Sant, Todd Haynes and Sofia Coppola.
The first Italian retrospective devoted to the Belgian artist, filmmaker, scriptwriter and actor following her death
In its second exhibition cycle Chantal Akerman. From the Other Side, curated by Giovanna Fazzuoli and Giulia Magno, the review covers the salient points of her artistic career from the debut short film Saute ma Ville from 1968 to her last work No Home Movie from 2015: almost half a century in which she produced experimental shorts, film essays, documentaries, musicals, film adaptations, travelogues, comedies and works inspired by dance, sculpture and music.
A career permeated by the esprit de contradiction
Chaos and order, reality and fiction, words and images, confinement and travel, autobiography and collective narration all coexist in Chantal Akerman’s films and installations.
The review is part of the artapes project, the programme of screenings focussing on the most interesting historical and recent artist videos which alternate in the museum’s new permanent video gallery.