for young people aged between 18 and 25 (not yet turned 25); for groups of 15 people or more; La Galleria Nazionale, Museo Ebraico di Roma, Villa Medici: Accademia di Francia a Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Automobile Club d’Italia (ACI), Biblioteche di Roma, Casa Internazionale delle Donne, Centro Sperimentale di Cinematografia, CRAL UniRoma3 APS, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, IED – Istituto Europeo di Design, IN/ARCH – Istituto Nazionale di Architettura, Interclub Welfare Card, ISFCI – Istituto Superiore di Fotografia, Sapienza Università di Roma, LAZIOcrea, Officine Fotografiche, Ordine dei Medici Chirurghi e degli Odontoiatri, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Poste Italiane, Rinascente, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, UIL – Unione Italiana del Lavoro, Università degli Studi di Roma Tor Vergata, Youthcard
the only open ticket, valid for 100 years, for one admission to the Museum and all current exhibitions
valid for access to the Museum during the last opening hour, available online and at the Museum’s digital ticket point only
upon presentation of the membership Card or Carta EFFE
buy online
minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; ICOM members; AMACI members; journalists (who can prove their business activity); myMAXXI membership cardholders; European Union students and university researchers in Art and Architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge – valid for two: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
for groups of 12 people in the same tour; myMAXXI membership card-holders; registered journalists with valid ID
under 14 years of age
disabled people + possible accompanying person; minors under 3 years of age (ticket not required)
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
24 Apr 2024 ore 18:30
editorial presentationForgotten Architecture
5 May 2024 ore 16:00
MAXXIperTUTTIIl corpo e l’architetturatactile lab
11 May 2024 ore 16:00
MAXXIperTUTTIMind the bend!Italian Sign Language workshop for families
Lobby / Archive Wall – admission free subject to availability of places
A festival that has played a fundamental role in the relationship between the visual arts and new technologies
A centre of international interest, for many artists the Camerino Festival of Electronic Art (1983-1990) represented an opportunity to get their research seen. Subdivided into sections on computer art, video art and film, exhibitions and seminars, concerts, conferences and round table dedicated to new technological devices and debate over the impact of synthesizer technology on creativity and critical reflection.
The book All’alba dell’arte digitale is the first historical-critical work examining an event that has never previously been investigated and offers an overview of the thinking on the experience and the debate relating to the relationship between the visual arts and digital instruments within the cultural context of the 1980s and to the multi-faceted heritage in the field of the contemporary digital image and the Italian art scene.
The essays, largely based on archive research, are followed by eye-witness accounts by the protagonists and a selection of documents.
Introduced by
Giulia Pedace MAXXI Ricerca
Intervengono
Silvia Bordini editor of the book
Francesca Gallo editor of the book
Silvia Moretti writer, Poetronicart project manager
Assunta Porciani head of the Rome Quadriennale Archive Library
In collaboration with Sapienza University, Rome