The new presentation of the collection begins in the museum piazza and proceeds without interruptions on the ground floor.
On the occasion of his birth, an exhibition dedicated to the great historian, lecturer, critic, politician and designer and to the modern and contemporary Italian architecture he supported and promoted through his work.
Il MAXXI e Bvlgari insieme per la giovane arte contemporanea con il Premio che da quest’anno si rinnova e si proietta sulla scena artistica internazionale.
Trees and plants for a wild oasis in the museum piazza, thanks to the project organized in collaboration with the Museum of Modern Art of New York, within the ambit of the Young Architecture Program.
Summer’s with us and at MAXXI the activities for children of between 5 and 10 years of age are back.
Una conferenza del celebre psicoanalista e saggista dedicata al lavoro di Land Art più grande in Europa.
Un modo diverso di iniziare la giornata, con un viaggio interiore verso una consapevolezza più elevata.
The same three-dimensional space/sculpture enclosing a multiplicity of linguistic codes.
The story of the Italian sound avant-garde through photographs, films, videos, historical posters, original LPs and audio contributions.
Tel Aviv and its architecture: an open-air museum of the most advanced international architecture of the 20th century.
The project of a digital museum that collects, stores and exhibits unrealized projects by the artists on-line.
A major exhibition uniting old masters and contemporary art.
Una mostra che raccoglie le sperimentazioni fotografiche realizzate dai bambini con la guida dell’artista, da oltre sessant’anni instancabile ricercatore nel campo della fotografia.
Tra antropologia, pedagogia, politica e morale, le opere video di Jonathas de Andrade ci raccontano i paradossi della cultura modernista
A guided tour of the Permanent Collection and the exhibition "MAXXI BVLGARI Prize".
A detailed overview of the artistic and cultural scene of the African continent.
The wounds and the violence present in African society and the search for possible solutions.
Un grande continente letto attraverso le parole dei suoi scrittori, in occasione della mostra "African Metropolis. Una città immaginaria".
Un laboratorio gratuito per tutta la famiglia per divertirsi insieme sperimentando la tecnica delle ossidazioni utilizzata da Nino Migliori nelle attività svolte con i bambini del Nido Scuola MAST.
for all those under 30 years of age; for groups of at least 15 people and affiliated groups; accredited journalists with a valid press pass; FAI – Fondo Ambiente Italiano members; holders of Bibliocard – Biblioteche di Roma; holders of entrance tickets for the Museo Ebraico of Rome; holders of entrance tickets for La Galleria Nazionale; Enel employees and a companion, on presentation of the corporate card and a valid identity document; Consiglio Nazionale degli Architetti members; Associazione Italiana Ambasciatori del Gusto members and relatives; holders of Pro Loco membership card.
for all members of families composed of two adults and at least one child (free for under-14s).
for students (over 14 years old) in class groups (secoind level secondary schools) purchasing educational activities.
valid for two entrances on two consecutive days.
under 14 years old, disabled visitors requiring accompaniment, companions of disabled visitors, MiBACT employees, Lazio Region tour guides and couriers, 1 teacher for every 10 students, ICOM members, AMACI members, accredited journalists, MAXXI membership card holders; from Tuesday to Friday, free admittance for academics and university researchers in Art and Architecture;on your Birthday. Free admittance to the Permanent Collection (Level 0) from Tuesday to Friday and every first Sunday of the month. Click here for more information
The collections of the MAXXI art present themselves as a strong nucleus that witnesses the national and international artistic production
The MAXXI Architettura collections comprise all those artefacts and documents that, in various ways, represent the material and conceptual complexity of architecture.
The Centro Archivi curates and manages the MAXXI's architecture collections and provides the possibility, inside the Sala Studio, to directly consult the documents and database of its twentieth and twenty-first century collections.
With the my MAXXI card experience the museum full time: unlimited and preferential access, reduced rates to participate to cultural programmes, educational activities and special events.
We need to be able to count on a network of benefactors, both in Italy and abroad, to enhance the museum’s permanent collection, guarantee the conservation of the works and present our public with an engaging cultural programme.
Donate your Cinque per Mille to the MAXXI Foundation
Sorry, this entry is only available in Italian.
Photography Centre MAXXI Architecture Simona Antonacci is an art historian, born in Rome in 1982....
Is an italian architect, currently she is Artistic Coordinator and Chief-curator for Architecture,...
Senior Curator MAXXI Architettura Born in Formia in 1955, in 1982 he graduated from the faculty of...
Etaoin Shrdlu is a small, independent, Rome–based graphic design studio, founded by Edda Bracchi...
Marcello Fantuz graduated in architecture at the Technical University of Delft in 2010 with a...
After being awarded a Master’s degree in architecture, she started working in the public...
Giulia Ferracci is a curator based in Rome where in 2004 she gained her postgraduate degree on the...
Born in Milan in 1968, he has worked with Lissoni Associati since 2006 where he is responsible for...
Silvia La Pergola was born in Bologna in 1973, and in 2000 she graduated from the faculty of...
Curator Luigia Lonardelli (Bari, 1982) took a Masters course in Management for Curators at the...
Elena Motisi (Palermo, 1980) architect, after some experiences abroad, in 2005 she earned an...
Anne Palopoli (1976) is curator of MAXXI Museum in Rome. She has developed and organized a several...
Bartolomeo Pietromarchi, who was born in Rome in 1968, is an art critic and curator and, since May...
Claudia Reale (Roma, 1975), architetto, dopo la laurea consegue il master in Management per...
Architect with a Master course and a PhD in history of architecture at the University of Roma Tre....
Head of the Archive Center of MAXXI Architecture, since 2006 she has been in charge of the...
20 June 2018
23 June 2018
Photography Centre MAXXI Architecture
Simona Antonacci is an art historian, born in Rome in 1982. After being awarded a Master’s degree in Contemporary art history at the “La Sapienza” University, she attended the Postgraduate specialty school at the University of Siena, writing a dissertation on Eventualism and the Gruppo di Piombino. She is currently teaching assistant and doctoral student at Università della Tuscia with a project dedicated to the activity of the exhibiting spaces and magazines in Rome in the Eighties and Nineties.
Trained in museology and didactics, from 2005 to 2012 she worked for the Education Department of the MAXXI Museum of Arts of the 21st century, after which she moved to the Photography Centre of MAXXI Architecture. From 2008 to 2013 she worked with the Wunderkammern cultural association, other than curating events and projects dedicated to contemporary art and photography and publishing articles on specialized magazines.
Is an italian architect, currently she is Artistic Coordinator and Chief-curator for Architecture, Urban regeneration, Cities at Triennale di Milano. She has been Council Member for Urban Regeneration and International Projects for the city of Mantua, Associate for Special Projects at the Serpentine Galleries in London, as well as Consultant for Urban and Cultural Strategies to Edi Rama, Prime Minister of Albania. She has been scientific director of the Swiss pavilion curated by Hans Ulrich Obrist at the Venice Biennale 2014 and scientific director of “15 Rooms” the exhibition curated by Klaus Biesenbach and Hans Ulrich Obrist at the Long Museum in Shanghai.
She has been co-director of the architectural studio “Equipo de Mazzanti” in Bogota and architect at Stefano Boeri Architects where she collaborated in urban and architectural projects including the Concept Masterplan for the Milan Expo 2015.
She graduated cum laude in Rome. Her articles has been published in national and international magazines and she has lectured in Italy, UK, Brazil, China and Albania.
Born in Formia in 1955, in 1982 he graduated from the faculty of architecture of Roma-La Sapienza University. In 1991, he completed a PhD at the IUAV of Venice. From 1982 to 1995 he taught at the faculties of Venice and Rome, and since 1987 he has been visiting professor at Ohio State University and other universities of North America. Since 1995 he has taught Architectural Composition at the faculty of architecture of Ascoli Piceno – university of Camerino. He is director and professor of a number of interuniversity master courses and coordinates the International PhD Villard d’Honnecour. He was a member of the Regional Commission for the Cultural Heritage of Le Marche. Besides being senior curator of the MAXXI Museum, he is also advisor for the Medaglia d’oro all’architettura italiana award of the Milan Triennial as well as for the Mies van der Rohe Award of the MVDR foundation. Since 1981, he has been working with general and specialist journals and magazines and for the National radio. He is a member of the Casabella editorial committee. He is the author of a number of essays and researches on contemporary cities, as well as of monographic studies.
Etaoin Shrdlu is a small, independent, Rome–based graphic design studio, founded by Edda Bracchi and Stefano Cremisini. Focusing on the value of research and contents, by the use of a conceptual but also typographic approach in the graphic design process, ESS works for contemporary architecture and art initiatives. ESS designs books, exhibitions and identities in a close relationship between technical knowledges and artisanal work. Since 2014 Etaoin Shrdlu collaborates in exhibition design with MAXXI.
Marcello Fantuz graduated in architecture at the Technical University of Delft in 2010 with a master thesis on urban agriculture in Cuba. Ever since then he has gained experience working in a number of offices in Holland, Belgium, Switzerland and Italy, deepening his understanding of urban metabolism and integral design. Marcello is currently university assistant and researcher at the Institute for Architecture and Landscape of the Technical University of Graz, where he focuses on the relation between built environment and natural dynamics.
After being awarded a Master’s degree in architecture, she started working in the public administration of Cultural Heritage. Her professional path – which also includes a two-year experience at the CIVA of Brussels – reached its peak when she started working at the Directorate General for Contemporary Architecture and Art (DARC), which enabled her to closely follow the MAXXI birthing process. As she worked for the Museum of Architecture since its inception, she was first in charge for the exhibition set-ups and then for the general coordination of the exhibitions. Since 2015 she has been the head of MAXXI Architecture Collections
Giulia Ferracci is a curator based in Rome where in 2004 she gained her postgraduate degree on the thesis ‘Action and performance Between 60’70 in Central America’. Between 2004 and 2006 she worked at MACRO Museum, Rome. Starting from 2006 up to 2010 she collaborated with DARC – Direzione per l’Arte Contemporanea. Currently she is being actively engaged as a curator at MAXXI Museum, Rome, Italy. Since joining the museum, she has curated major exhibitions including William Kentridge. Vertical Thinking (2012); Clemens von Wedemeyer. The Cast (2013), Premio MAXXI (Young Italian Artists Prize) (2012-14-16). She is co-curator with Hans-Ulrich Obrist and Gunnar B. Kvaran of the exhibition Indian Highway (2011) and with Hou Hanru of Huang Yong Ping. Bâton Serpent (2014) and Jimmie Durham. Sound and Silliness (2016), The Independent (2014 – present) and Artapes (2017).
Born in Milan in 1968, he has worked with Lissoni Associati since 2006 where he is responsible for exhibition design. He has designed art, architecture, design and photography exhibitions, museum fit-outs and installations for business events, among which Junya Ishigami, Piero Lissoni 1:1, Bernardino Luini e i suoi figli, Il Trittico di Antonello da Messina, Torre Velasca, Hôtel Particulier, Giovanni Gastel. He is consultant to the Museo Bagatti Valsecchi in Milan. Since 2011 he has taught at the Politecnico di Milano (Architectural Design, Interior Design) and at the Scuola Politecnica di Design (Exhibition Design).
Silvia La Pergola was born in Bologna in 1973, and in 2000 she graduated from the faculty of architecture of Roma-La Sapienza University. In 1996, she won the Erasmus scholarship and went to study at the école nationale supérieure d’architecture de Paris-La Villette. In 1998, she worked with the Agence JM Wilmotte in Paris. In 2006, she completed a PhD at the faculty of Architecture of Roma-La Sapienza, where she taught Interior Architecture (A.Y. 2007-2008). From 2003 to 2009 she worked for the Italian company Italiana Costruzioni S.p.A.. Starting from 2004, namely when its foundation stone was laid, she has been closely following the construction of the MAXXI Museum, designed by Zaha Hadid Architects. From 2009 she has been part of the staff of the exhibition and set-up office of the MAXXI Foundation. Her set-up projects include Indian Highway, Recycle, Energy, Architecture in Uniform, Lina Bo Bardi, Maurizio Sacripanti, Models and Transformers. Upon request of the Giustini Staggetti gallery, she dealt with the project and site-specific installation Magliana projet by Kostantin Gricic. She published the “Materia grigia” book (2010) for the Electa publishing house.
Luigia Lonardelli (Bari, 1982) took a Masters course in Management for Curators at the Valle Giulia Faculty of Architecture in Rome in 2005 and she graduated in 2009 from the Specialization School in Siena. In 2012 she presented her doctoral thesis on the activities of the Incontri Internazionali d’Arte collected into her book Dalla sperimentazione alla crisi. Gli Incontri Internazionali d’Arte a Roma, 1970-1981. Since 2005 she has collaborated with the Office for Contemporary Art following preparatory work for the opening of the MAXXI, where she began work as a researcher in 2010. Since 2011 she has been working in the curatorial department of the MAXXI, curating exhibitions dedicated to Marisa Merz (2012) and Alighiero Boetti (2013), among others. She cocurated the XVI Quadriennale d’Arte di Roma.
Elena Motisi (Palermo, 1980) architect, after some experiences abroad, in 2005 she earned an
International Masters Course in Development of complex Programmes, and in 2006
undertook an advanced training course at the Scuola Normale Superiore di Pisa.
She perfected her knowledge of the role of museums in 2012 earning an International Doctorate PHD at IUAV in Venice.
Since 2006 she has collaborated with MiBAC/PARC following, among others, some projects for the MAXXI where she began work as a researcher and assistant curator since 2010.
Since 2014, curator at the museum, she has been working mainly on site specific projects, interactive video installations and international exhibitions of the 21st centuries.
Among the followed projects: YONA FRIEDMAN; Freedom of Movement; The Independent; Istanbul: Passion, Joy, Fury.
Anne Palopoli (1976) is curator of MAXXI Museum in Rome. She has developed and organized a several exhibitions of both emerging and established artists such as Miquel Barcelò, Stefano Arienti, Anish Kapoor, Map Office, Francesco Vezzoli, Shahzia Sikander, Piero Gilardi and events focused on dialogue between arts, music, video and performance including the performance Dialogue 09 by Sasha Waltz and Guests and Early Works by Trisha Brown Dance Company. From 2003 to 2006, she has teach to the Master to Curators of contemporary art and architecture museum at University La Sapienza, Rome. At the same time she has been assistant to History of Art program at Architecture Valle Giulia, University La Sapienza.
Bartolomeo Pietromarchi, who was born in Rome in 1968, is an art critic and curator and, since May 2016, he has been Director of MAXXI Art, National Museum of the 21st century Arts. From 2011 to 2013 he was Director of MACRO – Museum of Contemporary Art in Rome. From 1998 to 2003 he was responsible for the contemporary art program of Adriano Olivetti Foundation, of which he was appointed Director from 2003 to 2007. In 2007 and 2008 he worked as curator at the Hangar Bicocca Foundation of Milan. He wrote many essays and publications on art, the latest of which is Italia in opera, La nostra identità attraverso le arti visive edito da Bollati Boringhieri (2011). He curated the Italian Pavilion at the 55th International Art Exhibition of Venice Biennale (2013)
Claudia Reale (Roma, 1975), architetto, dopo la laurea consegue il master in Management per Curatori di Musei di arte e architettura presso la Facoltà di Architettura dell’Università di Roma “La Sapienza”, per il quale è vincitrice di borsa di studio. Svolge attività libera professionale e dal 2003 inizia a collaborare con il servizio Arte della Direzione generale per l’arte Contemporanea, in particolare per le attività propedeutiche all’apertura ed alla costituzione della Collezione del Centro Nazionale per le Arti Contemporanee.
Nel 2005 è incaricata del progetto di allestimento del Padiglione Venezia in occasione della 51°Esposizione internazionale d’arte di Venezia, IV edizione del “Premio per la giovane arte italiana”. Nel 2009 è incaricata del coordinamento tecnico per l’allestimento delle opere permanenti della Collezione del MAXXI Arte.
Dal 2010 lavora nell’ufficio mostre del museo occupandosi della progettazione degli allestimenti e del coordinamento tecnico delle mostre in programmazione, tra le quali, Michelangelo Pistoletto, Da uno a molti, Doris Salcedo Plegaria Muda, Inventory, Fiona Tan, Non basta ricordare, Batòn Serpent Huan Yong Ping, Sound and Sillines, Jimmy Durham, Shahzia Sikander, Ecstasy and sublime, Letizia Battaglia, Per pura passione, Piero Gilardi, Nature Forever.
Architect with a Master course and a PhD in history of architecture at the University of Roma Tre. After working with the Fondation Le Corbusier and Docomomo International in Paris, she worked for important cultural institutions such as the Enciclopedia Treccani, the Aerofototeca Nazionale-ICCD and the DARC within MiBAC, other than teaching at the Faculty of Architecture of Roma Tre. Since 2010, she has been part of the permanent staff of the MAXXI museum: initially, she dealt with architecture archives, whereas she currently carries out research aimed at enhancing MAXXI Architecture collections through exhibitions and publications.
Head of the Archive Center of MAXXI Architecture, since 2006 she has been in charge of the archiving of architects and engineers’ funds at MAXXI, dealing with their classification, inventorying and publication, while also following all the activities of the Museum of Architecture that are aimed at enhancing the Collections